NATALIA JANULA, MFA |
We were greeted by a bulging serpent-like installation that crept under and around the building.
art by Rutie Borthwick |
The artwork was a combination of synthetic parts and organic objects. A credit card chip swallowed by an oyster, a fish spine cradled in a crumpled sheet of lead, circuit boards attached to limestone or buried in resin like the fossil mosquitoes in Jurassic Park.
art by Natalia Janula |
We especially liked this lonely, weeping cybernetic eye.
An oyster shell casts the opposite of a shadow: a rainbow reflection, created by the surface of a CD.
An Oyster card, an everyday functional travel card that we take for granted, loses its function and transforms into a beautiful, mystifying object when treated with another household substance: nail polish remover.
We also enjoyed the other graduates' experiments with space and materials. This artist made a wooden table that cupped the parabola of a swinging pendulum in an empty room.
This artist used silicone and a material called Jesmonite to make abstract waveforms and non-functional copies of industrial objects.
art by Katja Larsson |
There were artists who used traditional techniques but played with scale to surprise us.
art by Rutie Borthwick |
art by Ngan Leong Anna Cheung (apologies for the strange camera effects) |
art by Matt Morris |
We were presented with visual mysteries, scenes with no real explanation, and left to decide on our own.
art by Eunhee Nina Hong |
It was exciting to wander these spaces and engage with the installations, like having a mental conversation with people who have already left the room. Bravo to the graduates for a stimulating and intellectually challenging show.
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